Sebastiano Ricci(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. | |||
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Maria in Gloria mit Erzengel Gabriel und Hl. Eusebius, Hl. Sebastian und Hl. Rochus ID de tableau:: 86633 Voir la galerie dans Suède |
Maria in Gloria mit Erzengel Gabriel und Hl. Eusebius, Hl. Sebastian und Hl. Rochus Date 1724-1725 Medium Oil on canvas Dimensions Deutsch: 435 x 255 cm cjr Date_1724-1725 _ Medium_Oil_on_canvas _ Dimensions_Deutsch:_435__x__255_cm_ cjr |
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The Miraculous Draught of Fishes ID de tableau:: 86668 Voir la galerie dans Suède |
The Miraculous Draught of Fishes circa 1695-1697, oil on canvas.1695 cjr circa_1695-1697,_oil_on_canvas.1695 cjr |
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Der Traum des Esculapius ID de tableau:: 86776 Voir la galerie dans Suède |
Der Traum des Esculapius Date c. 1718(1718) Medium Oil on canvas Dimensions 80 x 98 cm cjr Date_c._1718(1718) _ Medium_Oil_on_canvas _ Dimensions_80__x__98_cm _ cjr |
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Die Familie der Dario vor Alexander dem GroBen ID de tableau:: 87893 Voir la galerie dans Suède |
Die Familie der Dario vor Alexander dem GroBen 1708-1710 Medium Oil on canvas Dimensions Deutsch: 194 x 246,5 cm cyf 1708-1710 _ Medium_Oil_on_canvas _ Dimensions_Deutsch:_194__x__246,5_cm_ cyf |
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Erscheinung der Madonna vor dem Hl. Bruno von Koln und den Hl ID de tableau:: 88025 Voir la galerie dans Suède |
Erscheinung der Madonna vor dem Hl. Bruno von Koln und den Hl 1704(1704) Medium Oil on canvas Dimensions Deutsch: 218 x 111,4 cm cjr 1704(1704) _ Medium_Oil_on_canvas _ Dimensions_Deutsch:_218_x_111,4_cm_ cjr |
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| Sebastiano Ricci | ||||||||||
| (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. | ||||||||||
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